It would seem at first sight that there was but one answer to this question, namely, that women are fools. When you can plainly prove to a woman that her dress is unhealthful, unbeautiful, immoral, and yet she persists in wearing it, there seems no possible reason but the above. But there is a very simple explanation. A physician complained to me that women came to her actually wearing mechanical appliances to counteract diseases which were caused and fostered by the mechanical weight and pressure of their dress. She could see no reason why a woman should deliberately choose pain and weakness. Here is the reason. Let us take an average woman, with a home, family, and social circle. Like every living organism, she is capable of receiving pain and pleasure. As a human being, she receives these sensations both through mind and body. Now this woman, apart from what she considers duty, will pursue always that course of action which seems to her to bring the most pleasure, or the least pain. This is a law of life, as right and natural as for a plant to grow towards the light. This woman’s life as a human being is far more mental than physical; the pleasures and pains of the heart and mind are far more important to her than those of the body. Therefore, if a thing give pain to her body but pleasure to her heart and mind, she will certainly choose it. Let us see now how this question of dress affects mind, heart, and body. The present style of dress means, with varying limits, backache, sideache, headache, and many other ache; corns, lame, tender, or swollen feet, weak clumsy, and useless compared to what they should be; a crowd of diseases, heavy and light; a general condition of feebleness and awkwardness and total inferiority as an animal organism; with a thousand attendant inconveniences and restrictions and unnatural distortions amounting to hideousness. But it also means the satisfaction of the social conscience; gratification of pride, legitimate and illegitimate; approbation of those loved and admiration of those unknown; satisfaction of a sense of beauty, however false; and a general ease and peace of mind. The true and reasonable dress means perfect ease and health and beauty of body, with the freedom of motion and increase of power and skill resultant therefrom. But it also means long combat with one’s own miseducated sense of beauty, and fitness, and with all one’s friends’ constant disapprobation; ridicule, opposition, an uneasy sense of isolation and disagreeable noticeability, loss of social position, constant mortification and shame. Now, to the average woman, these pains and penalties of the home and social life are infinitely more to be dreaded than the physical ones; and the physical comfort and strength infinitely less to be desired than the mental satisfaction and peace. Physical suffering has been so long considered an integral part of woman’s nature, and is still so generally borne, that a little or more or less is no great matter. But to offend and grieve instead of pleasing, to meet opposition and contempt instead of praise and flattery, to change pride for shame,–this is suffering which no woman will accept unless it is proved her duty. And this is why women do not reform their dress.
Gilman, Charlotte Perkins. “Why women do not reform their dress.” 1886. Quotidiana. Ed. Patrick Madden. 3 Jun 2008. 25 Oct 2014 <http://essays.quotidiana.org/gilman/why_women_do_not_reform/>.
Patrick Madden's New Book
Quotidiana site founder Patrick Madden has just published a book of his own personal essays, including pieces formerly published in the Best American Spiritual Writing and Best Creative Nonfiction anthologies.
If you enjoy the classical essays on this site, you'll enjoy these contemporary ruminations as well. Soon there'll be a web page here with further information, but for now, you can find out more (and perhaps purchase a copy) at Amazon.com.
"Patrick Madden is an essayist of verve, passion, wit, and dependable moral compass. Quotidiana drew me in powerfully, from page to page and from pleasure to pleasure." —Ian Frazier
I have no hesitation whatever in saying that the most ignorant women I have known have been the worst housekeepers; and that the most learned women I have known have been among the best.
Quotidiana is an online anthology of "classical" essays, from antiquity to the early twentieth century. All essays and images are in the public domain. Commentaries are copyrighted, but may be used with proper attribution. Special thanks to the BYU College of Humanities and English Department for funding, and to Joey Franklin and Lara Burton, for tireless research assisting.